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How To Ignore Long Range Surf Forecasts...

If you try and calculate the probability of anything weather related happening with any certainty, let's just say will there be good surf a week from today the maths involved is so complex that you soon suck all the numbers out of the world and get a really big headache.

The weather is a complex beast made of water, air, heat, maths and chaos. Predicting what it will do next is next to impossible. It's like trying to punch smoke. No matter how many RAMs your weather centre's supercomputer has, even if you have on of them fancy double screen set ups and an iPad on the desk, it means nothing. If your supercomputer can do more calculations per second than the entire population of China with an abacus on each hand then well done you. But you might as well flip a coin. The coin flip operator will be just as accurate. He has a fiddy percent strike rate after all … and looks cool.

You see forecasting the weather, even with all our modern weather buoys, satellite data, Hadron colliders and string theories is just, at best, an educated guess. Add in trying to get swell predictions anywhere near accurate and it's a guess times a hunch times a thousand. All that happens is you chuck in the recorded data, press the big button that says 'GO' on the computer and watch it burp out a forecast.

A word which needs repeating a: forecast, not fact, a possibility based on the available evidence and similar looking prior events which becomes increasingly implausible the further it proceeds down times unfaltering highway away from the known bit at the beginning. It's like those sci-fi fantasies where there are a million parallel universes all coexisting. From any set of data the weather machine could do whatever it pleases. The possibility of the computer generated result being anything like the actual weather in a weeks time is impossibly remote. In one of the million universes it will be cock on. In the rest you'll be staring at a flat ocean and wondering why you got so excited the week before.

It's hard enough for the weather bods to predict if it will rain the next day. Forecasting weeks ahead is a mugs game, especially in that most chaotic of systems the Atlantic, which doesn't play nice like its brethren the Indian and Pacific. But that doesn't stop the forecasts, now readily available on the Interwebs for up to 16 mind-boggling days ahead. Which people see. Then get all excited and start doing a jig about how the best surf ever is looming. Then they start making plans, booking ferries and flights. Then a week later everyone wonders what the fuss was about as the charts have changed wholesale and now it's going to be a few feet and onshore as opposed to 20-foot and best ever.

It's confusing for all. Where one day there's a red beast on the WAM charts that puts the red spot on Jupiter to shame by the next day it's wimped out and gone all green and ill looking. Long range forecasts are ephemeral things. Shimmering in our sight for the briefest moments until the models are run again and a fresh set of charts appear. The best ever onion ring that was there in the morning is replaced by an unsightly hag of a low with all kinds of unpleasantness by the afternoon and by the end of the next day it's a flipping high.

Looking at long range charts is like tossing a coin and basing your happiness on what's cast.  'Heads! Hurrah! Happiness reigns!' 'Tails? Arse barns. Best flagellate myself again.'

Long range forecasts are addictive because good surf makes us happy. Knowing that good surf is imminent makes us do smiling. Just the knowledge of an impending adrenalin and endorphin speedball shot acts like a drug. This is why we are drawn moth like to their digitised flame.

Older surfers will remember the four day weather fax of pressure maps: a badly printed piece of shiny paper that cost you £1.50 a pop. A thin sheet shared around like a religious artefact. But those four days of pressure gave you a perfect insight into how the surf was shaping up. We can learn lessons from the past. Try just looking at the charts for four days, like the kick-ass Met Office Atlantic maps online. We need to go cold turkey on anything longer. The probability is on your side, the models firmer, the likelihood of the desired good surf better if the charts are playing ball. You can dare to dream, to get excited and start waxing your gun.

Pressure systems aren't conformists. They don't do what anyone tells them. They're free spirits just cruising on the jet stream. They don't care if they crush your dreams of perfect surf. We just have to accept what they give us with good grace and maybe learn to just go surfing when there are surfable waves. Offshore, onshore, whatever. Just get wet. Howling onshore surfs can be hilarious, especially when it's so windy carrying your board down the sand is a right kerfuffle.

We need to not be so caught up in the future and concentrate on the now. If in any doubt about going for a surf try this simple routine:

Flowchart

Now stop wondering what the weather is going to do in a two weeks time and go surfing today.

Posted by Sharpy in Blog, Web/Tech, Words | Permalink

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The Surf Photog's Dream Lens...

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After what seems like forever the Canon 200-400mm uberzoom with built in 1.4x convertor is finally official. It's tested and reviewed brilliantly by Andy Rouse here.

For surf photog's it's the ultimate big lens, heaps of range and negates the need for a 300mm and a 5/600mm. It ain't light, which in these airline baggage weight buggering times is not a good thing. But if you had the green this would be the big lens of choice now.

Pre-orders from B&H a mere $11,799 or £7,709 in sterling. You can bet your ass it'll top five figures when it goes on sale in this country. But you'd be mental to buy a big lens here. Go to New York for a long weekend, go to B&H and you're still saving thousands even with air fare and hotel.

I'll sadly be making do with the rusty old 600mm...

Here's the offical blurb from Canon.

Designed to satisfy the discriminating needs of sports and wildlife photographers, the EF 200-400mm f/4L IS USM Extender 1.4X is a high-performance super telephoto zoom lens with an optically matched built-in 1.4x extender for maximum versatility. With a simple flick of a switch, the zoom range can be quickly increased to 280-560mm (f/5.6).

This capability is extremely useful in applications where it is not possible to change lenses quickly, while also protecting delicate equipment such as a digital SLR camera's image sensor in environments with dust and high humidity.

The EF 200-400mm f/4L IS USM Extender 1.4X incorporates one fluorite and four UD lens elements, which provide excellent correction of chromatic aberration throughout the entire zoom range for professional quality images with high resolution, contrast and color fidelity, while a 9-blade circular aperture helps deliver beautiful, soft backgrounds.

It utilizes inner focusing, ring USM, a high-speed CPU and optimized AF algorithms for fast and accurate autofocusing. And, with Power Focus mode, focus shifts are quiet and smooth, which is essential for filmmaking. Image stabilization is effective up to four shutter speed steps, with three image stabilization modes (standard, panning, and during exposure only) providing excellent results for a wide range of subjects.

Optimized lens placement and coatings deliver outstanding color balance, while helping to minimize ghosting and flare. The lens is highly resistant to dust and water, enabling shooting even in harsh conditions. A fluorine coating on front and rear lens surfaces repels dust particles and makes the lens easier to clean.

Posted by Sharpy in Web/Tech | Permalink

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Facebook Like Farms Can FB Off....

If you've seen the new issue of Carve then you might have read my Sharing Is Caring article on the ongoing death of professional surf photography. 

It's no secret I hate Facebook. The content farms (and or companies) that just steal photographer's work and post them for Likes with no credit or reference to the creator are a real issue. It's baffling when FB has an inbuilt Share button. So if these many pages, with fans in the thousands, want to share surf pics all they need to to do is Share from the respective photographers' pages. If they did this no one would mind. But they don't. They steal and post with no credit.

If you put your photos on Facebook or any network you are consenting to have it shared far and wide. I limit my unwatermarked online images to my 500px account, which at least has a basic download blocker on it, but still that's not screengrab proof. 

The only solution is ugly watermarks or not sharing at all. Which to be honest is the way I'm going. As sharing does nothing for your photography business. It does not bring surf photographer's new clients. The only paying clients: the magazines and brands actually push the other way. If a photo has been on FB then you've no chance of selling it. Likes and Fans do not equate to Income.

This post was inspired by a little ding dong the talented and extremely ballsy water photog Russ Ord had with one of these Like Farms. See the screengrab from my iPod.

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He simply asked for a credit on one of his awesome water shots of the Right in W.A. An image he risked his life to shoot. This is the response he gets from fucktard commentors and the actual admin of the page. 

I mean seriously? Total, utter, massive kooks. 

They have no idea how hard it is to swim, shoot and actually maintain a photography business. If this is the future then I want no part of it.

Posted by Sharpy in Blog, Surfphoto School, Web/Tech | Permalink

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Government Sanctioned Copyright Theft

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If you follow me on Twitters (if not, why not?) then you might have seen a few exasperated tweets and links to a couple of stories on the Government's Enterprise and Regulatory Reform Act. The one that got a lot of photographers, including David Bailey's, knickers in a knot. 

The two articles linked below explain it in more detail but the short version is as the act becomes law it means your photos can be used and abused and there's nothing you can do about it. Even though as the creator/author of those images you have the copyright. If someone or some corporation does a 'diligent search' (in other words a quick Google search, which won't bring up any results from FB/IG etc as they aren't searchable) for the author and finds nothing then they can go ahead and use your work commercially. Reproducing it however they like, for cash, including sub-licensing.

Yep. Terrifying eh? If your work is watermarked or has the metadata intact you are okay. But obvs it only takes a screengrab to strip metadata and a quick crop/clone to take off the subtle watermarks most people use at the moment so as not to impede enjoyment of the image.

Welcome to the new era of content farms and wholesale image abuse. As if pages like Surf, Sex, Sea weren't bad enough when it came to blatant image theft now they'll be legalised.

I urge you to read the piece from the New Statesman:

The act aims to legislate a way for publishers to use copyrighted material which has no obvious author, or no way to track down the author. In the past, orphan works were typically older media, like out-of-print books, with little-to-no contact information available. Those works still cause problems, and are covered by the Enterprise and Regulatory Reform Act, which ought to aid plans to catalogue them, like Google's audacious attempt to scan every book in America.

But the reason why orphan works are kicking up such a fuss now is that more and more works are being orphaned shortly after creation, thanks to the internet. You can see it all the time online: a photo is tweeted, someone cross-posts it to Facebook, someone else reposts it to Twitter from there, it makes it over to Tumblr, and then is incorporated into a Storify which a media organisation reports on. In such circumstances, it can very quickly become nearly impossible to track down the original image. That's why the law has been nicknamed the "Instagram act". (Source: New Statesman)

And the one from The Register for a more complete look at this.

For the first time anywhere in the world, the Act will permit the widespread commercial exploitation of unidentified work - the user only needs to perform a "diligent search". But since this is likely to come up with a blank, they can proceed with impunity. The Act states that a user of a work can act as if they are the owner of the work (i.e. you) if they're given permission to do so by the Secretary of State, acting as a regulated body. The Act also fails to prohibit sub-licensing, meaning that once somebody has your work, they can wholesale it. This gives the green light to a new content scraping industry, an industry which doesn't have to pay the originator a penny. Such is the consequence of "rebalancing copyright," in reality. (Source: The Register)

Whichever way you look at it any photographer that works commercially will be giving away their rights if they leave decent size copies of their work online unwatermarked. So much for the protests from the NUJ and every other photography orientated organisation. Cheers Dave, Cheers Nick you berks.

(Another piece just popped up by the BBC).

Posted by Sharpy in Blog, Photos, Surfphoto School, Web/Tech | Permalink

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The Top 10 Surf Videos On YouTube... Kinda.

Vimeo and YouTube are different beasts. The former is clean, easy to use and search friendly. The latter is a bit of a mare but way more popular. Searching for surf vids on YouTube is a bit of a mission. Once I waded through a plethora of 'surfer rides tsunami!' and other weirdness (generally filmed from Riding Giants) this is the most sensible top 10 I could find (with most of the classics).

The No1 when you search for Surfing is of course Family Guy. I love Family Guy so I let it slide... The No2 by Bali Strickland is still one of THE best watershots ever...

The numbers below are the view counts. Compare and contrast to the Top 10 on Vimeo...

Continue reading "The Top 10 Surf Videos On YouTube... Kinda." »

Posted by Sharpy in Videos, Web/Tech | Permalink | Comments (0)

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A New Slant On Water Housings..?

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An interesting new housing concept from Mike Waggoner over at Essex Housings. The Slant X. Press release below but the idea is a winner I reckon.

Continue reading "A New Slant On Water Housings..?" »

Posted by Sharpy in Surfphoto School, Web/Tech | Permalink

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The Infinite Barrel Loop...

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This is Micah at Thurso in Scotland. Shot on the good old Canon 7D with a Tok' 10-17mm lens and Aquatech housing. Micah cracked his foot the wave after this and that was him done. Still, got a cover from the session so not all bad. I love swimming at Thurso. It's a tricky spot to swim and hook up but worth it if you manage a good one. I've made this into an animated gif as the 'yoof' seem to be rather fond of them on that there Mr Tumble's website.

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iPod Touch Panorama Test...

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So I got me hands on the new iPod Touch as a pocket camera and replacement for my ancient click wheel iPod.

The new iOS panorama feature is, to put it mildly, bonkers.

I'd tried some other apps for this kind of thing before and they were always shite. This works like a charm. And the file size is nuts. Out the iPod the file is 10800 x 2424 pixels. Which at 300dpi is a 90cm x 20cm print! In other words not too shabby.

Above is straight out the pod, just resized for the web, no buffing or nowt in Photoshop. That's full width, and below is a crop out of that pano. Tres impressive non?!

It might have issues with line-ups and ocean scenes due to the moving factor but it's still a belting tool when you need a super wide scene captured. 

Ams2

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Instagram Web Profiles?!

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It was only a matter of time before Instagram did a web profile for their millions of users. The mobile first service is still just that, you can't post from your web profile but it is a good way of checking out peoples work and you can comment and like on stuff. It's also cool for the admittedly many folk that don't have a Insty friendly phone like me.

The design is simple and clean and it does what it needs to do. Good job all round. You can check out mine here or just click on the pic. The service should roll out to all users this week.

And don't forget to hashtag your surfy surfy shots for with #carvemag for a shot at getting in the mag.

Posted by Sharpy in Photos, Web/Tech | Permalink

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Deluxe Version Of The Sharp End Hits The iBook Store!

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It's been brewing for a while but I've finally got the photo version of my book done and up on iTunes.

Sure there's the text only Kindle and paperback versions already but seeing as I'm 50/50 photographer/writer it seemed only right that I do a photo heavy deluxe version that really shows off my images to full effect on the ace iPad screen.

So what ya get is all the words in the existing versions but with lush, full screen opening images and a plethora of other shots all with informative lil captions. Somewhere in the region of 60, and there's an exclusive little bonus video as well.

It's taken a while as to do an iBook for Apple I had to register as a US taxpayer?

Anyhoose. If you've got an iPad or are getting an iPad Mini anytime soon check it out!

There's some more screengrabs after the jump...

Continue reading "Deluxe Version Of The Sharp End Hits The iBook Store!" »

Posted by Sharpy in Books, Photos, Web/Tech | Permalink

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